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Wild Commons is a home for independent films about science, nature, and the people working to protect our shared planet.

Here, we go beyond the films to explore the science, communities, creative choices, and bigger questions behind them, from conservation and culture to filmmaking, distribution, and what it means to tell true stories about a changing world.

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Coexistence with crocodiles - what makes Phir Bhi (Even So) stand out amongst wildlife films
Film Matthew Podolsky Film Matthew Podolsky

Coexistence with crocodiles - what makes Phir Bhi (Even So) stand out amongst wildlife films

I first saw the short documentary, Phir Bhi (Even So), while attending the International Wildlife Film Festival (IWFF) in Missoula, MT in the spring of 2025. Phir Bhi (Even So) stood out to me because it acknowledged the complexity and the nuance surrounding wildlife conflict issues. It’s hopeful, but realistic, and that’s an incredibly tricky balance to pull off in a wildlife documentary.

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What PHIR BHI Reveals About wildlife coexistence
Film Wild Commons Film Wild Commons

What PHIR BHI Reveals About wildlife coexistence

As human-wildlife conflict intensifies across the globe, PHIR BHI (EVEN SO) offers a rare and deeply hopeful story about coexistence. Set in Gujarat, India, the film explores how local communities live alongside mugger crocodiles, revealing the fragile relationships that allow humans and predators to share the same world.

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Why Diving for Rays Is the Film We Need Right Now
Film Wild Commons Film Wild Commons

Why Diving for Rays Is the Film We Need Right Now

Diving for Rays follows Nicole Woodbyrne’s journey into marine conservation, revealing why LGBTQ representation in science matters now more than ever. As rights face renewed challenges, this film shows how visibility shapes who belongs—and who gets to dream of a future in science.

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Done Waiting for Permission: A Filmmaker Manifesto
Discourse Wild Commons Discourse Wild Commons

Done Waiting for Permission: A Filmmaker Manifesto

Documentary filmmakers are taught to wait—for festivals, distributors, and approval that may never come. But the tools to share your work already exist. Time to be done waiting and start building a new model for distribution—one rooted in ownership, audience, and collective momentum.

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